
Chloë Holt RCA FRSA - “Ad Lucem”
Original painting by Chloë Holt RCA FRSA. One of the youngest artists ever to be elected a member of the RCA. Winner of the 2012 Kyffin Williams Drawing Prize, Chloe also, in 2010 won the International Lorenzo il Magnifico prize by the Florence Biennale for works on paper.
“Ad Lucem means 'bring to light' in Latin. A new period of learning and discovering, of bringing to light. Simple objects in the studio: the pewter spoon, the tiny wooden chair and pewter plate; my Biot or Frejus jar covered in bright ochre lichens - all illuminating in the light from the dark studio floor. The plate and spoon as an offering.”
Oil, raw pigment, powdered mica and gesso on board in antique frame.
Framed 133 w x 109 h cm (117 x 94 cm aperture)
Original: $9,580.10
-70%$9,580.10
$2,874.03More Images


Chloë Holt RCA FRSA - “Ad Lucem”
Original painting by Chloë Holt RCA FRSA. One of the youngest artists ever to be elected a member of the RCA. Winner of the 2012 Kyffin Williams Drawing Prize, Chloe also, in 2010 won the International Lorenzo il Magnifico prize by the Florence Biennale for works on paper.
“Ad Lucem means 'bring to light' in Latin. A new period of learning and discovering, of bringing to light. Simple objects in the studio: the pewter spoon, the tiny wooden chair and pewter plate; my Biot or Frejus jar covered in bright ochre lichens - all illuminating in the light from the dark studio floor. The plate and spoon as an offering.”
Oil, raw pigment, powdered mica and gesso on board in antique frame.
Framed 133 w x 109 h cm (117 x 94 cm aperture)
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Original painting by Chloë Holt RCA FRSA. One of the youngest artists ever to be elected a member of the RCA. Winner of the 2012 Kyffin Williams Drawing Prize, Chloe also, in 2010 won the International Lorenzo il Magnifico prize by the Florence Biennale for works on paper.
“Ad Lucem means 'bring to light' in Latin. A new period of learning and discovering, of bringing to light. Simple objects in the studio: the pewter spoon, the tiny wooden chair and pewter plate; my Biot or Frejus jar covered in bright ochre lichens - all illuminating in the light from the dark studio floor. The plate and spoon as an offering.”
Oil, raw pigment, powdered mica and gesso on board in antique frame.
Framed 133 w x 109 h cm (117 x 94 cm aperture)
















